By Gordon Hull
As I noted last time, the Supreme Court has decided to take up a case about copyright in state codes. Specifically, Georgia contracts with Lexis to produce an annotated version of its code, which is the state then blesses with the title “Official Georgia Code Annotated” and claims copyright in. The question is whether the annotations are part of the code; if they are, they are public domain because the law is public domain. The 11th Circuit said that they are, because the legislature officially adopts them, courts refer to them, etc. If it walks like a duck…
One of the decisions cited in the 11th Circuit opinion cites along the way establishes that model building codes, once incorporated into statute, lose whatever copyright protection they had. In Veeck v. Southern Building Code Congress International (293 F.3d 791 (5th Cir. 2002)), SBCCI was “a non-profit organization consisting of approximately 14,500 members from government bodies, the construction industry, business and trade associations, students, and colleges and universities.” SBCCI’s purpose was to develop model building codes for municipal governments to adopt, which the small north Texas towns of Anna and Savoy did. Veeck ran a web site about northern Texas, and wanted to put the building codes online. When he had some difficulty getting them from Anna and Savoy, he paid SBCCI $72 for the codes, and then posted that online, correctly labeling them as the building codes of Anna and Savoy. The question, then, was whether in being enacted as part of the municipal law of Anna and Savoy, the codes lost the copyright protection they enjoyed as products of SBCCI. The 5th Circuit, relying on the premises that “law” is not copyrightable, the copyright idea/expression dichotomy, and extant caselaw, ruled that the codes were no longer copyrightable.
If the Georgia case attempted to think through what the conceptual underpinnings of the thesis that law is not copyrightable, SBCCI offers a chance to think about what that means in practice, and how it interacts with the more commercial IP system. Indeed, one of SBCCI’s arguments in favor of protection was quite precisely the commercial incentives justification for copyright. I want to approach all this somewhat elliptically. Quite some time ago, I used Deleuze’s critique of Platonism (in Difference and Repetition and Logic of Sense) to suggest that the original/copy distinction in copyright functions like the eidos/copy distinction in Platonism. For Deleuze this distinction isn’t about metaphysics so much as police work: it’s about knowing how to distinguish legitimate copies from illegitimate simulacra. Deleuze writes:
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