Was Charlie Hebdo 'Mocking' The Death Of Alan Kurdi?

By: Samir Chopra

Charlie Hebdo has offended again. A recently published cartoon titled “So Close to His Goal”, shows Alan Kurdi, the Syrian toddler whose tragic drowning death sharply focused the world's attention on the desperation of the migrant crisis in Europe, lying face down on the sand near a billboard featuring Ronald McDonald and advertising a 2-for-1 McDonald's Happy Meal with the legend: 'Two children's' meals for the price of one." The caption reads, 'So close to his goal.' And above it all, "Welcome to migrants.' A second cartoon titled “The Proof that Europe is Christian” shows a toddler drowning in the ocean. waters. Next to him a Christ-like figure walks on water. The caption reads, "Christians walk on waters… Muslims kids sink.”

Here is how I 'read' the cartoon, roughly: The West and Europe imagines itself the haven of liberal, secular ideals; it imagines itself the bastion of democracy, republicanism, and the social welfare state. In point of fact, it is as much in thrall to old-fashioned notions of Christian triumphalism and the blurring of the church and state as those regimes that it disdains. The West and Europe still fight holy wars; they still imagine themselves under attack from the 'Huns' and the 'Goths' and the 'barbarians' and the 'Moors.' The migrants might have thought they were escaping to this promised land where they would be welcomed with open arms and invited to make a new life. Little do they know that they were only heading for a vapid, shallow, xenophobic, insular, Islamophobic, consumerist culture, one whose patron saint is Ronald McDonald, and whose guiding slogans are not the call to arms of the great revolutions, but rather, sales pitches for cheap goods.

That's how I read it. I did not take these cartoons to be 'mocking' a dead child.  I do not claim to know the 'intent' of the cartoonist, but given Charlie Hebdo's history, and the current context, my interpretation strikes me as at least halfway plausible.

I am not going to offer a systematic defense here of Charlie Hebdo, but want to make note of a couple of what I think are relevant points:

1. The famous cartoon of Barack and Michelle Obama exchanging fist-bumps in the Oval Office, while wearing 'Arab dresses' and carrying guns, appeared on the cover of the New Yorker. Had it appeared on the cover of the National Review Online, complete with a comments section of gibbering right-wingers rubbing their hands in glee, reactions to it would have been considerably sharper.
2. The Onion once ran an article titled 'Redskins Kike Owner Refuses To Change Team's Offensive Name.' I did not think the article or its headline was anti-Semitic. Some Jewish friends of mine were offended.

Charlie Hebdo's cartoons are bound to offend many and their choice of vehicle for making their political points might be questioned. But they have ample material to choose from and ample opportunity to offend; this world and its dominant species' arrogance and continuing self-destructive behavior will ensure that. Satirists exist and find work because we are worthy targets of satire.

Note: This post was originally published--under the same title--at samirchopra.com.