Thus in order to be an original, he is obliged to contribute to the ruin of a language, which a century sooner he would have helped to improve. Though such writers may be criticised, their superior abilities must still command success. The ease there is in copying their defects, soon persuades men of indifferent capacities, that they shall acquire the same degree of reputation. Then begins the reign of subtil and strained conceits, of affected antitheses, of specious paradoxes, of frivolous turns, of far-fetched expressions, of new-fangled words, and in short of the jargon of persons whose understandings have been debauched by bad metaphysics. The public applauds: frivolous and ridiculous writings, the beings of the day, are surprisingly multiplied." --Condillac, An Essay on the Origin of Human Knowledge,
In Condillac the "frivolous" is that "which seems worthless" (Commerce and Government. {Condillac is one of the great eighteenth century economists.})
Let's grant his enemies that Derrida's writings and social consequences instantiate such a reign of "subtil and strained conceits, of affected antitheses, of specious paradoxes, of frivolous turns, of far-fetched expressions, of new-fangled words, and in short of the jargon." According to Condillac, "bad metaphysics" is a science that enters into the "nature and causes" of things. (2) We can make the analogy work if we allow that Derrida's followers are the product of a scientific age (or Husserlian phenomenology). Yet, the passage from Condillac would also exonerate Derrida in a certain sense; he would be the product of a historical circumstance--he would be born too late to contribute to the improvement of his language.
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