On Friday my old classmate, painter Harm van den Berg, gave me a private tour of the exhibit, Door Schildersogen (officially translated as From a Painter's Perspective, but I like "Through Painter's Eyes" better), he co-curated at Arti et Amicitae. (The show includes a painting by him.) The exhibit, which closes soon, presents a painter's selection of thirty-two contemporary painters that work or are trained in the Netherlands. The exhibit is a self-conscious step away from conceptual art, spectacle, and the recent fascination with disaster tourism (recall here and here). Even Holland's master-disaster-artist-tourist-guide, Ronald Ophuis, is presented with a more standard portrait. (Unsurprisingly, some critics have called the exhibit, which includes a mixture of very abstract and more representational art, "boring.") In this post I focus on two of the cityscape paintings in the exhibit:
Jaring Lokhorst's NYC:
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