When it comes to learning, Deleuze argues that “it is so difficult to say how someone learns.” (DR 23). More dramatically, Deleuze adds, there “is something amorous – but also something fatal – about all education.” (DR 23). In learning to drive a stick shift car, for example, it is not sufficient simply to be told by the instructor to “do as I do,” or to follow the rule as they have stated and/or exemplified it in their actions. Learning is not a matter of following a rule or of doing what someone else does; to the contrary, what one encounters in learning to drive a stick shift car is the task of connecting various elements – namely, the hand, foot, clutch, accelerator, slope of the road, etc.—and of connecting them systematically so that the foot releases from the clutch right when the accelerator is being pressed, etc. Similarly in learning to swim it is a matter of establishing connections between the various parts and motions of one’s body with the resistance, currents, and buoyancy of the water. As Deleuze puts it, “To learn to swim is to conjugate the distinctive points of our bodies with the singular points of the Objective Idea in order to form a problematic field.” (DR 165)
In clarifying what Deleuze means by conjugating the distinctive points “in order to form a problematic field” will offer, I argue, what I take to be a helpful perspective from which to understand Merleau-Ponty’s example of the expert organist as well as Jason Stanley’s recent work on skill.